A new Isle of Wight exhibition by British photographer Norman Parkinson will go on display at Dimbola Lodge in April.
Curated by the Angela Williams Archive and catalogue text written by the author Fay Weldon, the exhibition (8th April – 3rd July 2011) will include rare and previously unseen photographs of children as taken by this famous british photographer.
“Legendary British photographer Norman Parkinson (1913 – 1990), operated in a world of high fashion, but he was also drawn to the carefree innocence of children, capturing a lost era when childhood was an optimistic and untarnished experience.”
Alongside his passionate enthusiasm for Julia Margaret Cameron’s images of children portraying a romantic innocence, this inspired Parkinson’s own work in this genre. In this particular collection of images, all relating one way or another to childhood, Parkinson combines the photojournalism techniques of Cartier Bresson and inspires to catch the moment hence ‘The Age Of Innocence’
Curated by Norman Parkinson archivist and his former assistant, Angela Williams , and text by the author Fay Weldon, this new exhibition of Parkinson’s images, offers a fresh insight into his development as an artist and his eclectic choice of subjects.
The exhibition will feature a number of rare Parkinson silver prints taken between 1950 and 1965, some of which have never been exhibited before. All are original, unique and highly collectable prints. Many of the images first appeared in fashion spreads or advertising in magazines of the day, including Vogue. The exhibition will also feature vintage prints from the 1979 book, Sisters under the Skin, including previously unseen images of Stella McCartney as a child.
In her introduction to the catalogue, Fay Weldon writes:
“Parkinson, like his confreres Bailey, Duffy and Donovan, is mostly known for his spectacular fashion photography, but as with these other great photographers, ‘the fashion shoot’ was only a part of their work. That was what earned them money: not necessarily what most satisfied the keen aesthetic eye of the photographer. In this particular collection of images, all relating one way or another to childhood, Parkinson combines the techniques of photojournalism – catch the moment as it flies – à la Cartier Bresson and Lartigue, with an Irving Penn-like sense of formality. The child is casual, the picture instant, yet the form severely composed. And look for the gremlin – Parkinson complained there was always one in his camera – which sometimes subverts his earnest intentions, and simply entertains.”
Angela Williams, says:
“Parkinson was enchanted by the energy and spirit of children before they were burdened by maturity, and in Louis Baring’s book, A Very British Glamour, he described hiding by a twisted mulberry tree at the end of his Grandfather’s garden as a 12 year-old boy, when he would peer through the criss-cross wooden fence into the garden next door, captivated by the vision of frolicking girls: ‘girls with loose dresses and a minimum of underclothes running fawnlike everywhere’ or ‘lying around the lawn with languorous ease’. It was these memories, which, alongside his passionate enthusiasm for Julia Cameron’s images of children portraying a romantic innocence, that inspired his own work in this genre. Parkinson recalled: ‘When I picked up my camera years later, I photographed the memories of those well observed weekend girls I had seen through the fence’.”
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